French artist
Elisabeth Lecourt prompts a curious phenomena of way-finding fashionware, deftly folding urban maps into quaint dresses and button-down shirts.
Making her way from France in the mid-90's, Lecourt graduated with a
Masters of Art from the Royal College of Art, London in 2001, and has
since exhibited through Europe with her first solo show in 2006. Aside
from clearly being an accomplished worker of craft, the conceptual
possibilities of the work are worth teasing out.
Thinking back to some post-graduate work I saw coming out of the MIT Media Lab (I think this is it
here)
which was exploring the fine crossroads of textiles and technology
-such as weaving thermal responsive or light-sensitive LED's directly
into fabrics- they posited that eventually clothing and fabrics might
be able to express any number of things about their environments or
even about the person wearing them -something I found slightly
disconcerting as a fairly rampant phenomenologist ("If my shirt
expresses everything about me, what do I do with my Body?").
All-fabric capacitive Keyboard. E. Rehmi Post & Maggie Orth, MIT Media Lab.
So with Lecourt's contribution, I begin to ask how way-finding and
urban navigation might be improved with smart-clothes... could they
drag us in the right direction, or something as simple as a GPS blip of
our current location -information which is already ubiquitous in most
advanced cellphones or other hand-held devices. Maybe they could track
your friends in their own Smart-Dress, lighting up a little swarm of
activity... which would be creepy, and I'm starting sound like
Geoff Manaugh, which would be unoriginal of me.
Poetically, I think the project works wonderfully to, as a civic
reminder of how we interact with the City, or even the country, how we
literally 'wear the city' or is it wearing us? I'm thinking how the
City might rub off on us, leave a trace -whether its gum, spilled wine
or desert sand- so the shirt or dress -in this case very literally-
becomes a drawing surface.
Artwork © Elisabeth Lecourt 2005. All rights reserved

Artwork © Elisabeth Lecourt 2005. All rights reserved
Photo: © onepom/London 2005